KINGSTONE ZIMUNYA
When an artist steps away from home, builds in silence, and returns, the question is always the same: What did you bring back?
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| Back and better: After some time in Mauritius, Trane Sushi is back in his homeland and ready to take Zim Afrofusion to the next level. |
For Afrofusion artist Trane Sushi, the answer isn’t just a suitcase of memories and international influences. It’s a completely refined sense of self. Sitting down to talk about his journey—from writing bars in parked cars while grinding out a living during the Covid 19 lockdown, to a formative stint across the water in Mauritius—it’s clear his return to Harare isn't a reset button. It’s an escalation.
"Moving to Mauritius exposed me to a different culture, different people, and a different way of life," he reflects, noting how working day jobs to finance his own music taught him early lessons in discipline and patience. "That experience taught me that your circumstances don’t have to determine how far your dream can go."
That overseas chapter quietly expanded his sonic palette. While his foundation remains stubbornly rooted in Zimbabwean culture, exposure to Mauritian rhythms left a mark. "It made me more open to experimenting and to telling stories from different experiences," he says. "I’m also interested in working with Mauritian artists because I believe there is a lot of room for Zimbabwean and Mauritian sounds to meet."
Finding the Vision
Back home in Harare, that global perspective has trickled directly into how he handles his craft. Early creative runs with producers like Michael Magz and Cleff Jones were about exploration and figuring out who he was. Today, the approach is razor-sharp.
"Now I go into collaborations with a much clearer idea of what I want the song to feel and sound like," Sushi explains. "I still respect the producer’s creativity because collaboration is about bringing different strengths together, but I can communicate my direction much better now."
That maturity spills over into his writing. Where early tracks captured raw, impulsive feelings in the moment, his music has grown into narrative storytelling meant to resonate with everyday listeners. "I’m more comfortable being vulnerable now, but I’m also more thoughtful about how I communicate that vulnerability," he notes. "I want people to hear my experiences and recognize parts of their own lives in the music."
Carving a Lane in Zim Afrofusion
As part of an exciting new generation helping Zimbabwean Afrofusion evolve alongside heavyweights like Takura, Trane has zero interest in mimicking what is already working.
"I want to build my own lane as Trane Sushi, bringing my own experiences, melodies, and perspective into the movement rather than trying to sound like anybody else."
The local scene is notoriously hard to please, demanding authenticity above all else. Sushi knows he can't coast on a wave of past nostalgia. His strategy for 2026 is simple: show up, stay consistent, and let the work speak.
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| Trane is preparing for a multitude of prophet releases over the next year. |
"I want to put in the work—releasing quality music, performing, creating visuals, collaborating with local artists, and being present in the culture," he says.
With fresh music, new visuals, and local creative link-ups dropping in the coming months, Trane Sushi isn't just back on home soil—he’s settling the score.
You can follow Trane Sushi on Instagram to stay updated as he navigates a new era in his career. You can also listen to the golden oldies by Trane Sushi on Spotify, Apple Music and YouTube.



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